For this reason it's not recommended to work in Display All mode. If you switch to Display All, as a result of that, you run the risk of not realizing when you have floating modules that aren't connected to your composite. The Timeline view shows only layers that are connected to the composite module.

In the Layer Properties editor, click on the Function button once more to open the velocity curve.Īdd a keyframe at the first frame of the morphing (Source) and one at the end (Destination) by clicking on the Add/Remove Keyframe button.If you try to add a peg layer in the Timeline view without having a layer selected, the peg layer will be floating in the Network view and will not be visible in the Timeline view. In the Layer Properties editor, go to the Drawing tab and click on the Function button to create a function curve. In the Timeline view, double-click on the drawing element module to open the Layer Properties editor.

To adjust the velocity in the layer editor: 1. It is possible to adjust the velocity of each sequence in your layer independently using the Tool Properties view and then adjust the morphing velocity function in the Layer Properties editor to control the entire layer's easing. You can play the morphing sequence backwards or forwards during the animation. The sequence will always start with the source drawing and end at the destination. Having all of your velocity parameters in one place is more efficient and easier to modify.Īdjusting the velocity in the Layer Properties editor also allows you to reverse a section of the morphing sequence. If you have several morphing sequences on a single layer, you may find it easier to adjust their velocities on one function curve rather than several separate ones. In the Timeline view, select the source or destination drawing.Ĭlick on your selection and drag the drawing to its new frame. To extend or shrink a morphing sequence length: 1. Īdjusting the Velocity in the Layer Properties Editor.If you did not place your source and destination drawings on the correct frames you may need to extend or shrink the sequence length.

To produce a less mechanical motion, you will probably want to create some ease in or ease out. When you look at your animation you will notice that the morphing motion is constant. Once you have established a morphing sequence, you can control its timing and velocity.

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